Author Archives: Rachel

Rachel Frawley

Rachel Frawley is an actor living in Atlanta. She holds a B.F.A. in Theatre from Michigan State University (with cognates in Music and Professional Writing) and is an Apprentice Company graduate from the Atlanta Shakespeare Co. She also works as an education artist for local theatres, which have included the Shakespeare Tavern and Aurora Theatre. For more information, visit her website at www.rachelfrawley.com

How to Avoid Going Stale

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There are many reasons an actor might start to feel “stale” in a role. Long runs, repetitive days on set, lack of feedback, or good old-fashioned insecurity are just a few of the many common triggers. It’s a horrible feeling. You suddenly feel disconnected with the character, the audience, yourself. If left unchecked, staleness can […]

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How to Nail a “Bit Part” and Why You Should Care

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Bit part, walk-on role, day player…we have so many ways to describe our briefer experiences on stage and film. Yet they are often afforded less brain space and respect than the meatier roles we encounter. Today I’m here to champion the “bit part” and spread my enthusiasm far and wide. There is just as much […]

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Learning to Mourn: An Actor’s Salvation

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I remember the first time I had a professional project shut down. It was a bucket list role for me. It was with a theatre for whom I had worked many times before. When I got the email that the rights had been pulled, and the project was unceremoniously cancelled without ever seeing the light […]

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The Importance of Stamina in the Audition Room

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There is endless advice to be had when it comes to auditioning. How to pick the right material, how to show off your personality, how to seal the deal. But one thing I haven’t found actors talk about that much is stamina in the audition room. When it comes to long days on set, certainly, […]

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6 Cheap and Easy Ways to Spice Up Your Character Research

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Every now and then you run into a character that requires a bit of research. Your actor’s imagination can do wonders when it comes to connecting to a character, but sometimes you just need a bit more context. When you’re short on time and money, research can seem like one more obligation draining precious time […]

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Tips on Juggling Conflicts

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For me, juggling schedule conflicts is easily the most stressful part of being an actor. Feeling like I’m letting people down causes me massive anxiety, and my sense of loyalty has often led me to make decisions that I now judge were at the cost of furthering my own career.   Here’s the thing. To […]

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A Guide to Out of Town Auditions

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The work doesn’t always come to you. There are theatre and film opportunities nationwide (indeed, worldwide). Keep an eye out. Why limit yourself to your immediate community? If the right out of town audition comes along, however, it will take some preparation. Here’s a quick and dirty guide to traveling for an audition.   Is […]

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Intent on Success: The Three M’s

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We talk a lot about actions actors can take to refine their presentation, technique and business game. But harder to pin down are strategies for improving your drive and focus. In the face of relentless rejection, how do actors maintain the winner’s attitude so crucial to long term success? While there are endless strategies to […]

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6 Workshops Every Actor Should Take

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An actor’s education is a beautiful, exhilarating Hydra. The second you think you’ve lopped off the head of one technique, another springs forth. There is always more to learn, deeper understanding to be gained, skills to refresh and hone and refresh again. It’s great! It’s exciting! You’ll never be bored! But the journey to self-improvement […]

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Stop Unconsciously Talking Yourself into Failure

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Self-deprecating humor is a familiar defense mechanism, and all the more effective for the entertaining, charismatic and witty among us. In other words, actors are prime culprits. How many of us, as sensitive, artistic kids, quickly transitioned into class clown to navigate the brutal byways of early education and adolescence?   In many cases, self-deprecating […]

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